Check out this article on terrorism chic in Hollywood. It' s a shrill but interesting take on the types of new movies that are in the pipeline:
Slow to awaken after the 9/11 attacks, Hollywood has finally come around to contributing what it can in the War on Terror: namely, glossy, star-studded movies that sympathize with the enemy. Its appetite whetted by "Fahrenheit 9/11"'s $222 million worldwide gross, Hollywood thinks it's found a formula for both financial security and critical plaudits: noxious anti-American storylines, bathed in the warm glow of star power.Here are some examples:
- "Munich." Steven Spielberg directs this film about the aftermath of the 1972 Olympic terror attacks that killed eleven Israeli athletes. "Munich"'s screenplay is written by playwrite Tony Kushner ("Angels in America"), who has been quoted as saying: "I think the founding of the state of Israel was for the Jewish people a historical, moral, political calamity ... I wish modern Israel hadn't been born." The film focuses on the crisis of conscience undergone by Israeli commandos tasked with killing PLO terrorists - rather than on the barbarity of the terrorists themselves.Read the article for many more examples of these types of films that are in the pipeline. The article ends on a bit of a hysterical conservative note, but the point is well-made. Obviously, producing films with these kinds of sympathies is in vogue.
- "V For Vendetta." From Warner Brothers and the creators of "The Matrix" comes this film about a futuristic Great Britain that's become a 'fascist state.' A masked 'freedom fighter' named V uses terror tactics (including bombing the London Underground) to undermine the government - leading to a climax in which the British Parliament is blown up. Natalie Portman stars as a skinhead who turns to 'the revolution' after doing time as a Guantanamo-style prisoner.
- "Jarhead." This Universal release, starring Jamie Foxx and Jake Gyllenhaal, deals with the 'dehumanization' of Marine trainees prior to and during the 1991 Gulf War. Based on Andrew [sic - name is Anthony] Swofford's notorious and questionable memoirs of the same name.
- "Terminus." Set in the Middle East of the future, this Warner Brothers film depicts a 'disillusioned' war correspondent covering an 'insurgency' he decides he must support. The producer, Basil Iwanyk, says: "It deals head on with what some call insurgency, what some call guerilla warfare and what some call freedom fighting."